The Emerald Tablet: Limited Edition Cloth Bound Green Silk with Hot Stamping 23k Gold, Designed by Alchemist Brian Cotnoir
The Emerald Tablet one of the root texts of alchemy is a brief alchemical work attributed to Hermes Trismegistus. Historically the work is part of the Hermetic corpus and seems to have the same origins as the rest of the Corpus Hermeticum.
The text was discovered, according to one version of the legend, by Apollonius of Tyana. After an earthquake a passageway opened up beneath a statue that led to a subterranean chamber. Seated there was a statue of Hermes Trismegistus holding a tablet of green stone (smaragda) engraved with the text of what is now known as the Emerald Tablet. The earliest known surviving texts are attributed to Apollonius of Tyana and it is the Arabic and Latin versions that are considered in this new work.
This edition is a collection of new translations of those earliest extant Arabic and Latin versions with accompanying essay and commentary. It is a distillation of the chapter on the Emerald Tablet in my forthcoming book Alchemy: The Poetry of Matter. There I present a more complete discussion, analysis and experimentation. Here I present it as a Hermetic work of art – a talismanic book in form, function and result. The Emerald Tablet is not only a fresh contribution to alchemical studies it is also an example of book art at its finest.
Drawing on the elements of Islamic and Western sacred geometry in their design, the two cover emblems visually indicate the Arabic side and the Latin side of the book. The overall design and typesetting from case to cover to page to word to letter evolved from the same Hermetic principles and follows from these same geometries.
Designed by Brian Cotnoir. Typeset by Lara Captan – English and Latin in Seria & Seria Sans by Martin Majoor; the Arabic in DecoType Naskh by Thomas Milo & Mirjam Somers. Letterpress printed by Roni Gross on Magnani Book paper with marbled end sheets. Cover Emblem Designs by Daud Sutton. Bound by Biruta Auna. Polymer plates by Boxcar Press.
All copies numbered and signed by author.
Limited Edition Cloth Bound Green Silk with hot stamping 23k gold.
Brian Cotnoir is an alchemist, artist, and award-winning filmmaker. He was the “alchemist in residence” at Morbid Anatomy Museum. He occasionally gives talks and has presented workshops and seminars around the world on various aspects of alchemical theory and practice based on his research. His Emerald Tablet was part of the Language of the Birds: Occult and Art show in 2016 in New York City.
Please note: Shipping fee includes packaging and handling costs
The Emerald Tablet one of the root texts of alchemy is a brief alchemical work attributed to Hermes Trismegistus. Historically the work is part of the Hermetic corpus and seems to have the same origins as the rest of the Corpus Hermeticum.
The text was discovered, according to one version of the legend, by Apollonius of Tyana. After an earthquake a passageway opened up beneath a statue that led to a subterranean chamber. Seated there was a statue of Hermes Trismegistus holding a tablet of green stone (smaragda) engraved with the text of what is now known as the Emerald Tablet. The earliest known surviving texts are attributed to Apollonius of Tyana and it is the Arabic and Latin versions that are considered in this new work.
This edition is a collection of new translations of those earliest extant Arabic and Latin versions with accompanying essay and commentary. It is a distillation of the chapter on the Emerald Tablet in my forthcoming book Alchemy: The Poetry of Matter. There I present a more complete discussion, analysis and experimentation. Here I present it as a Hermetic work of art – a talismanic book in form, function and result. The Emerald Tablet is not only a fresh contribution to alchemical studies it is also an example of book art at its finest.
Drawing on the elements of Islamic and Western sacred geometry in their design, the two cover emblems visually indicate the Arabic side and the Latin side of the book. The overall design and typesetting from case to cover to page to word to letter evolved from the same Hermetic principles and follows from these same geometries.
Designed by Brian Cotnoir. Typeset by Lara Captan – English and Latin in Seria & Seria Sans by Martin Majoor; the Arabic in DecoType Naskh by Thomas Milo & Mirjam Somers. Letterpress printed by Roni Gross on Magnani Book paper with marbled end sheets. Cover Emblem Designs by Daud Sutton. Bound by Biruta Auna. Polymer plates by Boxcar Press.
All copies numbered and signed by author.
Limited Edition Cloth Bound Green Silk with hot stamping 23k gold.
Brian Cotnoir is an alchemist, artist, and award-winning filmmaker. He was the “alchemist in residence” at Morbid Anatomy Museum. He occasionally gives talks and has presented workshops and seminars around the world on various aspects of alchemical theory and practice based on his research. His Emerald Tablet was part of the Language of the Birds: Occult and Art show in 2016 in New York City.
Please note: Shipping fee includes packaging and handling costs
The Emerald Tablet one of the root texts of alchemy is a brief alchemical work attributed to Hermes Trismegistus. Historically the work is part of the Hermetic corpus and seems to have the same origins as the rest of the Corpus Hermeticum.
The text was discovered, according to one version of the legend, by Apollonius of Tyana. After an earthquake a passageway opened up beneath a statue that led to a subterranean chamber. Seated there was a statue of Hermes Trismegistus holding a tablet of green stone (smaragda) engraved with the text of what is now known as the Emerald Tablet. The earliest known surviving texts are attributed to Apollonius of Tyana and it is the Arabic and Latin versions that are considered in this new work.
This edition is a collection of new translations of those earliest extant Arabic and Latin versions with accompanying essay and commentary. It is a distillation of the chapter on the Emerald Tablet in my forthcoming book Alchemy: The Poetry of Matter. There I present a more complete discussion, analysis and experimentation. Here I present it as a Hermetic work of art – a talismanic book in form, function and result. The Emerald Tablet is not only a fresh contribution to alchemical studies it is also an example of book art at its finest.
Drawing on the elements of Islamic and Western sacred geometry in their design, the two cover emblems visually indicate the Arabic side and the Latin side of the book. The overall design and typesetting from case to cover to page to word to letter evolved from the same Hermetic principles and follows from these same geometries.
Designed by Brian Cotnoir. Typeset by Lara Captan – English and Latin in Seria & Seria Sans by Martin Majoor; the Arabic in DecoType Naskh by Thomas Milo & Mirjam Somers. Letterpress printed by Roni Gross on Magnani Book paper with marbled end sheets. Cover Emblem Designs by Daud Sutton. Bound by Biruta Auna. Polymer plates by Boxcar Press.
All copies numbered and signed by author.
Limited Edition Cloth Bound Green Silk with hot stamping 23k gold.
Brian Cotnoir is an alchemist, artist, and award-winning filmmaker. He was the “alchemist in residence” at Morbid Anatomy Museum. He occasionally gives talks and has presented workshops and seminars around the world on various aspects of alchemical theory and practice based on his research. His Emerald Tablet was part of the Language of the Birds: Occult and Art show in 2016 in New York City.
Please note: Shipping fee includes packaging and handling costs